Religion, race and generations collide in this romantic comedy starring Jonah Hill
‘The Patient’ is bound by four walls and a mediocre ending that leaves you wanting more.
A messy millennial in an on-and-off relationship with liminal job prospects has been a saturated archetype since Lena Dunham stretched it to its limit for 5 years in her series Girls. It has been haphazardly recreated in many character study-esque television series and tries to worm its way in as b-plots in coming-of-age films. Occasionally…