In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
Meander, released in 2021, is a French gory horror film featuring a woman trapped in small spaces as she fights for her life, paralleling real pandemic life.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
‘Riders of Justice’ perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.
With so many binge-worthy TV shows floating around and new ones constantly being released, I have compiled a list of some more recent TV shows that rank high on the diversity scale for both the cast and crew.
In Ritendra Datta’s ghostly short, The Dark Circle, geometry ends…
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as “Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
It’s dark, uncomfortable, and there are things that don’t make sense.