Author: Incluvie Writer
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A Tragic Antihero: Judy
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
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Nevertheless, she persisted: Dora and the Lost City of Gold
Dora is the superhero we didn’t know we needed.
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Telling Other People’s Stories: Representation on Both Sides of the Camera
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
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“Brooklyn Nine-Nine” is Sitcom Diversity Done Right
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
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What Kind of Movies Will Come from the Current Anti-Racism Movement?
Given Hollywood’s history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
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Oscar Nominated Shorts: Animation— Reviewed
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?
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Operation Desert Suck in “Mine”
For Memorial Day this year, you might want to enjoy a change of pace from the usual collection of WW1, WW2, and Vietnam War movies in order to focus on more contemporary military conflicts. Mine (2016, Netflix), is definitely contemporary, but it’s far from Saving Private Ryan caliber. The movie’s premise is quite engaging: after…
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One Heck of a Final Girl in “Game Over”
Game Over (2019, Netflix) is one of those rare horrors treats that’s as creative and interesting as it is fun to watch. Psychology blends with the supernatural and a dash of slasher-flick to create a full-bodied thriller with plenty of twists and turns to keep you guessing up to the very end. The film’s…
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“XX” and the Horror of Motherhood
Don’t be fooled by the movie’s title: there’s nothing lascivious about the horror anthology XX (2017, Netflix). Women wrote and directed each segment of XX, including the creepy stop-motion animation opening credits and interstitials by Sofia Carrillo. Men may dominate the horror genre, but women’s pain — both individual and collective — provides a bottomless…
