Extreme Quarantine: “The Last Days” Shows Us How Much Worse It Could Be

Sometimes misery loves company, but sometimes we just want to know that at least we’re not as bad as that guy over there. Los Últímos Dias (The Last Days), written and directed by David Pastor and Álex Pastor, (available to stream on Hulu) is unnervingly prescient in this era of social distancing and quarantining. If you prefer your apocalypses zombie-free, here’s a movie that will quench your thirst for a major global crisis without the hassle of the walking dead.

Original Spanish poster. Spanish tagline translates to “When the World Ends, There is Still Hope”
Original Spanish poster. Spanish tagline translates to “When the World Ends, There is Still Hope”

The movie follows our hero, Marc (Quim Gutiérrez), a pretty standard twenty-something big-city average Joe in Barcelona who mucks through his office job, quips wittily with his fellow mid-level workers, and goes home to his girlfriend Julia (Marta Etura). Julia’s primary characteristic is that she wants a baby, and that’s nearly all we ever learn. After Marc has started noticing strange things going on, a co-worker gets fired, and it’s discovered that he has been living at the office for quite some time. This leads to discovery of a virus called “The Panic,” which is spreading quickly around the world. For lack of a better term, The Panic causes lethal panic attacks when anyone goes outside. It’s agoraphobia to a horrific extreme. And it hits Marco right after he’s had a fight with Julia about how much she (still) wants a baby and he thinks it’s ridiculous to bring a child into a world gone this terrible. The rest of the movie is spent with Marc as he teams up with another guy from his office, Enrique (Jose Coronado) and they bromance through the subway tunnels and sewers of underground Barcelona so that Marc can get back to Julia and apologize.

Marc (Quim Gutiérrez) and Enrique (Jose Coronado) put on their macho faces to brave Barcelona’s underground
Marc (Quim Gutiérrez) and Enrique (Jose Coronado) put on their macho faces to brave Barcelona’s underground

Since the movie focuses almost entirely on Marc and Enrique and their macho bromance, there is little room for Julia to develop as a fully-formed character. All we know about her is that she wants a baby and she works in a toy store. If “The Last Days” had been about her, it could have been a much more nuanced look into pandemics and lethal agoraphobia. There she was: pregnant and alone. Where does she go? What does she do? How does she survive? Instead, poor Julia is relegated to near Girl-In-Refrigerator status so that Marc can evolve into an emotionally functional human being. The movie spectacularly fails the Bechdel Test, with the only other female characters being little more than sexy lamps to provide exposition.

Ladies be wantin’ babies, amiright? (Marta Etura as Julia)
Ladies be wantin’ babies, amiright? (Marta Etura as Julia)

In a movie where the entire world is suffering from this catastrophe, it would have been nice to hear from some women. Women, after all, generally don’t fare well during an apocalypse. There are dangers and threats specific to women that most men just don’t have to worry about. There are also health concerns women have that men do not. The closest the movie gets to addressing women’s issues is when Marc finds out that Julia was actually pregnant before all this fell upon them, hastening his sense of urgency to find her. Again, focusing even just a little bit more on Julia’s story — her struggle being significantly more heightened in every way than Marc’s — would have created a whole new level of suspense. Instead, The Last Days spends its time in praise of straight white guys having an adventure.
There’s also a glaring lack of PoC diversity here. Maybe that’s how Barcelona is; a quick search of Barcelona’s demographics shows little residential diversity, though that’s just a surface peek. At one point in the movie, Marc and Enrique come upon a family of dark-skinned immigrants who doesn’t speak Spanish. That’s about as close to PoC diversity as the movie gets, really.
On the other hand, where The Last Days really thrives, ironically, is in the lack of information regarding The Panic. Aside from a couple of references to the volcanoes, no one really knows where it came from, how it spreads, or how it can be fixed. There’s no one to blame, no evil corporation, no rogue CDC employee to point fingers at. The movie focuses on the survival of society when no one can go outside anymore. That’s it. Even cars don’t offer shelter from The Panic, so wherever you are when “S**t Gets Real” is where you live now. There are a couple of lines of dialogue about a “tribe of natives” in Australia who seem to be immune to The Panic, with some less than enlightened remarks made about this tribe, but that’s it as far as the film goes in exploring the idea of a vaccine.

This image was not taken from Barcelona’s tourism bureau

Rather than focusing on the bleak, cynical aspects of life post-pandemic, the movie remains optimistic and hopeful. Of course, there are early rumors of the whole thing being a hoax or a government conspiracy, much like you’d expect during any global pandemic. But Marc never gives up looking for Julia, and Enrique (almost) never stops believing that humanity will overcome this event. It’s kind of nice to watch that atmosphere unfold, especially in the days of self-isolation and community lockdowns. Don’t focus on the devastation, just keep going, even if you’re in the dark with no sense of direction.
As news about our own real-life pandemic evolves from hour to hour, it’s easy to lose hope and get overwhelmed. Will this turn into a zombie apocalypse? Never say never! But “The Last Days” provides a far less gruesome and macabre vision of life during the most lockdown-ey lockdown imaginable.

Movie Review originally published by Meredith Morgenstern on Medium





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