Author: Bianca Sbrocchi
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TIFF ‘22 Coverage: ‘Triangle of Sadness’
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
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TIFF ‘22 Coverage: ‘The Greatest Beer Run Ever’
The Vietnamese perspective is not only completely ignored in ‘The Greatest Beer Run Ever’, but it is blatantly whitewashed and disrespected.
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TIFF ‘22 Coverage: ‘My Policeman’
‘My Policeman’ simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
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TIFF ‘22 Coverage: ‘The Fablemans’
‘The Fablemans’ is Spielberg’s most personal work to date, the cast delights audiences at the TIFF premiere.
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Incluvie Film Fest 3rd Place Winner: ‘Warmth’ Review
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
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‘A Million Little Things’: The Best New Characters of Season 4
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
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A Survivor’s Story: Breaking Down the Season 4 Finale of ‘Handmaid’s Tale’
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor’s Journey.
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The Final Season of ‘Superstore’ Sends off an Inclusive Gem
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
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‘Ted Lasso’ Steps Up its Incluvie Game
The development of existing characters and the addition of some new ones have surely placed ‘Ted Lasso’ on some sort of an Incluvie A-OK list.
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‘Don’t Look Up’ Wasn’t Much to Look Up to
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.