Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
The Vietnamese perspective is not only completely ignored in ‘The Greatest Beer Run Ever’, but it is blatantly whitewashed and disrespected.
‘My Policeman’ simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
‘The Fablemans’ is Spielberg’s most personal work to date, the cast delights audiences at the TIFF premiere.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor’s Journey.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
The development of existing characters and the addition of some new ones have surely placed ‘Ted Lasso’ on some sort of an Incluvie A-OK list.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.