Author: Atreyo Palit
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Don’t Let the Box Office Failure Deter You, ‘Bros’ is A Classic Rom-Com
‘Bros’ is a must-watch for October’s LGBTQIA+ History Month and it’s as good a rom-com as any! Don’t let box office numbers or misguided reviews deter you from this great film.
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15 Modern Horror B-Movies To Watch This October
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.
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‘Blonde’ Review: Like a Jeane in a Bottle, Except it’s a Cage
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she’s caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
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‘La Loca Y El Feminista’ (MiamisFF Review): A Necessary Dialogue
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
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‘Honor Roll Boys’ (MiamisFF Review): A Bit of Harmless Fun
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
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Mirrorball (Miami sFF Review): A Passionate Tribute to La La Land
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
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Visi-Bi-lity: It’s Improving!
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
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We Are Lady Parts Is The Muslim Representation To Keep Your Eyes On
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
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San Junipero: Queer Heaven on Earth
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
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They/Them Falters As A Slasher But Is A Triumph For LGBTQ+ Representation
Those saying it’s a bad movie simply because it’s bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.