Month: December 2021
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Remember Your Truth in a City of Façades: “The Last Black Man in San Francisco”
‘The Last Black Man in San Francisco’ is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
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Broken Systems: Racism and Capitalism in “My Beautiful Laundrette”
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
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‘Hawkeye’ Episode 4 Review: Things Just Got Real
In episode 4 of ‘Hawkeye,’ things are getting real, from a mystery surrounding a Rolex watch to hints at a certain “big guy” to the reveal of [SPOILER].
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The Genuinely Good and Painstakingly Bad of ‘House of Gucci’
So do I recommend that people see this movie, yes 100%, but do I think they are going to come out of it with 80 hot takes, yes 100%.
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‘Encanto’: Colorful Characters, Intergenerational Trauma, and Fun Music
Disney’s newest Latine animated musical, ‘Encanto’, features a super colorful cast, fun music, and a surprising conflict about intergenerational trauma.
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You are my Tomorrow: “Vai”
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
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Sersi in Eternals is a New Look at the Female Gaze
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time – for a group that’s given…
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Juneteenth: Don’t Worry about Slavery, the White People Fixed It
Juneteenth is a day to commemorate the emancipation of enslaved people in the United States on June 19th, 1865. We did it! Everyone is free! Everyone is equal! End of story, right?
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A child’s guide to raising himself: “Boy”
Taika Waititi writes, directs and co-stars in ‘Boy’, set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
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A Tale of Two ‘Scenes from a Marriage’
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.